Special Project X “The Margin of the Mother Tongue"—IPNHK 2024 (VR poetry + sharing session) .
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On the occasion of the 10th anniversary of our university’s founding and the 5th anniversary of the University Arts Centre, we welcome the biennial campus art and cultural event - the 4th Culture & Arts Festival "CATS" (Culture Arts Technology & Science). This season's activities have officially kicked off on October 12. It encompasses visual art and performing art. Taking art as a bridge on campus, it connects with everyone.
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On October 15, the Culture & Arts Festival, in collaboration with the Hong Kong Poetry Festival Foundation, will launch a special project titled "The Margin of the Mother Tongue"—IPNHK 2024 (VR poetry + sharing session) .
Through virtual reality technology, you will be immersed in panoramic poetry, allowing you to freely navigate between words and images, and to seek "the beginning and the end" in the virtual and the real!
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Activity information
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Format：VR Poetry Exhibition And Live
Time：2024年10月15日（周二）14:00-17:00
Speaker：Prof. Collier Nogues,?Chan Yi Qian
Language：English
Venue：Time Space Capsule Black Box Theatre (Zhi Ren Building First Floor) and outdoors
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Format：Discussion Session
Time：October 15, 2024 (Tuesday), 18:00-20:00
Speaker：Prof. Collier Nogues, Prof. Jussi Holopainen
Language：English
Venue：Time Space Capsule Black Box Theatre (Zhi Ren Building First Floor)
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Guest Introduction
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Prof. Collier Nogues
Professor Collier Nogues writes at the intersection of digital and documentary poetics, with an emphasis on making connections across decolonization and demilitarization movements in the U.S. and in the Pacific. Her poetry collections include the hybrid print/interactive volume?The Ground I Stand On Is Not My Ground, selected by Forrest Gander as the winner of the 2014 Drunken Boat Poetry Book Contest, and?On the Other Side, Blue?(Four Way, 2011). She is Assistant Professor of Creative Writing at the Chinese University of Hong Kong, where she teaches undergraduate and MA creative writing and literature courses.
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Chan Yi Qian
Chan Yi Qian is a multimedia artist from Singapore who connects with various beings and ways of being, exploring the connections between accessibility and documentation of both the human and more than human. Her work pays careful attention to what goes unnoticed, gently pushing boundaries in a collaborative and playful way. Her artworks have been exhibited at NUS Museum, The Conscious Festival, Tampines Regional Library and Peace Centre in Singapore, with an upcoming exhibition in Shodoshima, Japan. Her writings have also been printed in publications such as?ASAP/Journal?by Johns Hopkins University, and?Breath: New Media Art 2024?by CICA Museum.
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Prof. Jussi Holopainen
Prof. Jussi Holopainen holds a PhD in Digital Game Development from Blekinge Institute of Technology in Sweden. He has been researching game design and gameplay experiences since 1998, having authored or co-authored scores of academic publications and patents. Jussi is a member of the Digital Games Research Association (DiGRA) executive board and has served as a member of several program committees such as Games and Culture, Game Studies, CHI PLAY, and the DiGRA annual conference. Before joining City University of Hong Kong in 2021, he was a senior lecturer of Games Computing at University of Lincoln, UK, in the School of Computer Science. He worked at Centre for Game Design Research, Royal Melbourne Institute of Technology as an associate researcher. He has also served in senior research management positions at the Nokia Research Center (NRC) and has been involved in coordinating several industry and academia collaboration projects. His latest research has focused on principles of game design, playful design, and aesthetics of gameplay.
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University Arts Centre
To bring students closer to culture and art
To make the "DREAM" come true
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